June  27th.  2009
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The sequence for Pentecost (the “Golden Sequence”). It is sung at Mass from Whitsunday until the following Saturday inclusively, and comprises ten stanzas of the form: Veni, Sancte Spiritus, Et emitte coelitus Lucis tuae radium. 一些hymnologists綁定兩個這樣的stanzas之一，無疑，以完成計劃的有節奏的第三條生產線，如在“勞達錫永”和“聖母材料” 。 The peculiar feature of the “Veni Sancte Spiritus”, however, the persistence throughout the hymn of the same rhythmic close in “ium” For all the stanzas — a feature imitated in特殊功能的“韋尼神聖斯皮” ，然而，持續整個讚美詩相同的節奏密切的“草”的所有stanzas -一個功能模仿 Dr. Neale’s博士尼爾的 translation (given in the翻譯（中給出 Baltimore巴爾的摩 Manual of Prayers”). This version of the Anglican手冊的祈禱“ ） 。這個版本的英國聖公會 hymnologist hymnologist is only less popular than that of Brother Caswall , which is found alike in Protestant and Catholic僅僅是不得人心比兄弟Caswall ，這是發現都在新教和天主教 hymnals hymnals and in the “Raccolta” (Philadelphia, 1881).並在“ Raccolta ” （費城， 1881年） 。 Dean迪安 Trench and others follow麟趾和其他後續 Durandus Durandus in ascribing the authorship of the sequence to Robert II, who reigned in France from 997-1031.在賦予作者的序列，羅伯特二，誰統治法國從997-1031 。 With Cardinal Bona ,與紅衣主教博納 ， Duffield杜菲爾德 gives it to Hermann Contractus and argues earnestly for the ascription.給它赫爾曼契約和主張認真的歸屬。 The sequence has indeed been found in manuscripts of the eleventh century, and of the twelfth, but written by a later hand, and the conclusion is drawn that it序列確實發現了手稿的11世紀，和第十二，但以後撰寫的手，並得出結論說， dates日期 sometime after the middle of the twelfth century.以後，中東的12世紀。 This makes probable the ascription to這使得可能的歸屬，以 Stephen斯蒂芬 Langton蘭頓 (qv), made by a writer whom （ qv ） ，由作家誰 Cardinal Pitra紅衣主教羅弗 thinks an English Cistercian who lived about the year 1210.認為一個英文 修道院誰生活在約1210年。 More probable is the ascription to Innocent III made by更有可能是歸屬到無辜的第三發了言 Ekkehard Ekkehard V in his “Vita S. Notkeri”, written about 1220. V在他的“簡歷南Notkeri ” ，寫1220年。 Ekkehard Ekkehard , a monk of一個和尚的 St. Gall聖加爾 , says that his abbot ,說，他的住持 ， Ulrich烏爾里希 , was sent to Rome by Frederick II , conferred with the pope on various matters, and was present at the ，被送往羅馬的弗雷德里克二世 ，賦予教皇就各種事項，並出席了 Mass質譜 of the的 Holy Spirit聖靈 celebrated before the慶祝活動之前， Holy Father聖父 . 。 The sequence of the的順序， Mass質譜 was Sancti是聖 Spiritus醑 adsit adsit nobis gratia”. Hereupon諾比斯特惠“ 。於此 Ekkehard Ekkehard remarks (what he probably learned from備註（什麼，他可能從 Abbot艾博特 Ulrich烏爾里希 himself on his return to本人對他返回 St. Gall聖加爾 ) that the pope himself “had composed a sequence of the ）表示， 教皇自稱為“已組成一個序列的 Holy Spirit聖靈 , namely ，即 Veni韋尼 Sancte神聖 Spiritus醑 “. The older sequence yielded but gradually to its rival, which was almost universally assigned to one or more days within the “ 。老一輩序列逐漸產生，但其競爭對手，這是幾乎普遍分配給一個或多個天內 octave倍頻 . 。 The revised Missal of 1570 finally assigned it to Whitsunday and the修訂後的彌撒的1570年最後分配到聖靈降臨節和 octave倍頻 . 。 The revision (1634) under Urban VIII left, it unaltered.修訂（ 1634年）根據城市第八離開，但沒有改變。 Well styled by medieval writers the “Golden Sequence”, it has won以及風格的中世紀作家“金序” ，它已贏得 universal普遍 esteem, the reasons for which are set forth by Clichtoveus , who in his “Elucidatorium” considers it “above all praise because of its wondrous sweetness, clarity of style, pleasant brevity combined with自尊，其原因是所規定的Clichtoveus ，誰在他的“ Elucidatorium ”認為， “上述所有的讚揚，因為它奇妙的甜度，清晰的風格，再加上簡潔舒適 wealth財富 of thought (so that every line is a思想（使每一行是一個 sentence句 ), and finally the constructive ） ，最後是建設性的 grace寬限期 and elegance displayed in the skilful and apt juxtaposition of contrasting thoughts .和優雅顯示在幹練和apt並列對比的想法。 Daniel丹尼爾 applauds this appreciation.讚揚這一讚賞。 Gihr spends not a little Gihr花費不小 space空間 in his work on the在他的工作 Mass質譜 in praise of the hymn , and在讚美的歌 ，和 Julian朱利安 accords it a careful and appreciative tribute.協定是認真和讚賞的敬意。 http://www.newadvent.org/cathen/15342a.htm poignant:kari-shma:Richard Lewisohn  //  Travel

  • The sequence for Pentecost (the “Golden Sequence”). It is sung at Mass from Whitsunday until the following Saturday inclusively, and comprises ten stanzas of the form:

    Veni, Sancte Spiritus,
    Et emitte coelitus
    Lucis tuae radium.
  • 一些hymnologists綁定兩個這樣的stanzas之一，無疑，以完成計劃的有節奏的第三條生產線，如在“勞達錫永”和“聖母材料” 。 The peculiar feature of the “Veni Sancte Spiritus”, however, the persistence throughout the hymn of the same rhythmic close in “ium” For all the stanzas — a feature imitated in特殊功能的“韋尼神聖斯皮” ，然而，持續整個讚美詩相同的節奏密切的“草”的所有stanzas -一個功能模仿 Dr. Neale’s博士尼爾的 translation (given in the翻譯（中給出 Baltimore巴爾的摩 Manual of Prayers”). This version of the Anglican手冊的祈禱“ ） 。這個版本的英國聖公會 hymnologist hymnologist is only less popular than that of Brother Caswall , which is found alike in Protestant and Catholic僅僅是不得人心比兄弟Caswall ，這是發現都在新教和天主教 hymnals hymnals and in the “Raccolta” (Philadelphia, 1881).並在“ Raccolta ” （費城， 1881年） 。 Dean迪安 Trench and others follow麟趾和其他後續 Durandus Durandus in ascribing the authorship of the sequence to Robert II, who reigned in France from 997-1031.在賦予作者的序列，羅伯特二，誰統治法國從997-1031 。 With Cardinal Bona ,與紅衣主教博納 ， Duffield杜菲爾德 gives it to Hermann Contractus and argues earnestly for the ascription.給它赫爾曼契約和主張認真的歸屬。 The sequence has indeed been found in manuscripts of the eleventh century, and of the twelfth, but written by a later hand, and the conclusion is drawn that it序列確實發現了手稿的11世紀，和第十二，但以後撰寫的手，並得出結論說， dates日期 sometime after the middle of the twelfth century.以後，中東的12世紀。 This makes probable the ascription to這使得可能的歸屬，以 Stephen斯蒂芬 Langton蘭頓 (qv), made by a writer whom （ qv ） ，由作家誰 Cardinal Pitra紅衣主教羅弗 thinks an English Cistercian who lived about the year 1210.認為一個英文 修道院誰生活在約1210年。 More probable is the ascription to Innocent III made by更有可能是歸屬到無辜的第三發了言 Ekkehard Ekkehard V in his “Vita S. Notkeri”, written about 1220. V在他的“簡歷南Notkeri ” ，寫1220年。 Ekkehard Ekkehard , a monk of一個和尚的 St. Gall聖加爾 , says that his abbot ,說，他的住持 ， Ulrich烏爾里希 , was sent to Rome by Frederick II , conferred with the pope on various matters, and was present at the ，被送往羅馬的弗雷德里克二世 ，賦予教皇就各種事項，並出席了 Mass質譜 of the的 Holy Spirit聖靈 celebrated before the慶祝活動之前， Holy Father聖父 . 。 The sequence of the的順序， Mass質譜 was Sancti是聖 Spiritus醑 adsit adsit nobis gratia”. Hereupon諾比斯特惠“ 。於此 Ekkehard Ekkehard remarks (what he probably learned from備註（什麼，他可能從 Abbot艾博特 Ulrich烏爾里希 himself on his return to本人對他返回 St. Gall聖加爾 ) that the pope himself “had composed a sequence of the ）表示， 教皇自稱為“已組成一個序列的 Holy Spirit聖靈 , namely ，即 Veni韋尼 Sancte神聖 Spiritus醑 “. The older sequence yielded but gradually to its rival, which was almost universally assigned to one or more days within the “ 。老一輩序列逐漸產生，但其競爭對手，這是幾乎普遍分配給一個或多個天內 octave倍頻 . 。 The revised Missal of 1570 finally assigned it to Whitsunday and the修訂後的彌撒的1570年最後分配到聖靈降臨節和 octave倍頻 . 。 The revision (1634) under Urban VIII left, it unaltered.修訂（ 1634年）根據城市第八離開，但沒有改變。 Well styled by medieval writers the “Golden Sequence”, it has won以及風格的中世紀作家“金序” ，它已贏得 universal普遍 esteem, the reasons for which are set forth by Clichtoveus , who in his “Elucidatorium” considers it “above all praise because of its wondrous sweetness, clarity of style, pleasant brevity combined with自尊，其原因是所規定的Clichtoveus ，誰在他的“ Elucidatorium ”認為， “上述所有的讚揚，因為它奇妙的甜度，清晰的風格，再加上簡潔舒適 wealth財富 of thought (so that every line is a思想（使每一行是一個 sentence句 ), and finally the constructive ） ，最後是建設性的 grace寬限期 and elegance displayed in the skilful and apt juxtaposition of contrasting thoughts .和優雅顯示在幹練和apt並列對比的想法。 Daniel丹尼爾 applauds this appreciation.讚揚這一讚賞。 Gihr spends not a little Gihr花費不小 space空間 in his work on the在他的工作 Mass質譜 in praise of the hymn , and在讚美的歌 ，和 Julian朱利安 accords it a careful and appreciative tribute.協定是認真和讚賞的敬意。
  • http://www.newadvent.org/cathen/15342a.htm

poignant:kari-shma:Richard Lewisohn  //  Travel


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